Most Jewish persons can be recognized by their surname (last name), although
not always- some are adopted, etc., or it simply does not sound Jewish or
Semitic. Every example below has exceptions. These are for generalizing only.

Here are the main ones likely to be encountered:

-Names ending in "-berg" (Goldberg, Weinberg, etc.)

-Names ending in "-man" (Goldman, Lightman, etc.)

-Names ending in "-stein" (Einstein, Perlstein, etc., and also "-stien")

-Names that sound "precious" (Gold, Silver, Diamond, etc.)

-Names ending in "-ler" (Adler, Midler, etc.)

-Names ending in "-lin" (Gitlin, Sheindlin, etc.)

-Names ending in "-witz" (Horowitz, Rabinowitz, etc.)

-Names ending in "-baum" (Teitelbaum, Metzenbaum, etc.)

-Names ending in "-off" (Chartoff, Berkhoff, etc.)

-Names ending in "-nik" (Resnik, Mitnik, etc.)

-Names ending in "-thal" (Blumenthal, Rosenthal, etc.)

-Names ending in "-ling" (Spelling, Sperling, etc.)

-Names ending in "-sky" (Barshefsky, Linsky, etc.)

-Some (but not all) names ending in "-son" (Abelson, Josephson, etc.)

-Names (surnames) that sound "Biblical," e.g., David (as in "Larry David"),
Abram or Abraham, Joseph, Moses, Benjamin, etc.

Also, some very common Jewish names listed below:

Miller, Green, Davis, Ross, Lewis, Nash, Stern, Abramowitz, Ackerman, Actenberg, Adler, Albright, Alter, Asner, Abzug, Asimov, Axelrod, Bader, Baumberger, Berkowitz, Berliner, Berman, Bernstein, Blaustein, Bloom, Blum, Blumberg, Blumenthal, Boschwitz, Boxer, Brandeis, Brenner, Breyer, Broder, Bronfman, Buber, Cantor, Chaffee, Chomsky, Cohen, Danowitz, Dershowitz, Diamond, Edell, Ehrlich, Eickmeyer, Einstein, Eisner, Engel, Epstein, Feder, Feigenbaum, Feiger, Feingold, Feinstein, Feldman, Foxman, Frank, Friedan, Friedman, Freud, Gershwin, Ginsberg, Gladstone, Glasser, Glickman, Goetz, Goldman, Goldbaum, Goldfarb, Goldstein, Goldwyn, Gottlieb, Greenspan, Grossman, Grunwald, Hackney, Halberstam, Hefner, Heller, Hentoff, Hertzberg, Herzog, Himmelfarb, Hirsch, Hiss, Hoffman, Horowitz, Hyatt, Hymowitz, Isaacson, Isenberg, Jacobs, Jacobowitz, Janowsky, Janowitz, Kahn, Kalb, Kaplan, Kassebaum, Katz, Katzenbach, Kauffman, Kessler, King, Kinsley, Klein, Kleinman, Koch, Koestler, Kohl, Kopelwitz, Kramer, Kristol, Kuhn, Kunstler, Kurtz, Landau, Lansky, Lautenberg, Lear, Leavitt, Lehman, Lehrer, Lerner, Levin, Levine, Levy, Lewis, Lieberman, Lipshitz, Loeb, Lowenstein, Magaziner, Mahler, Marx, Metzenbaum, Meyer, Murray, Nader, Nathanson, Neas, Neuman, Nussbaum, Oppenheimer, Ornstein, Pensler, Perlman, Perlstein, Plotkin, Pollard, Posner, Pulitzer, Rabinowitz, Radner, Ratner, Reisch, Rivlin, Rosenberg, Rosenblatt, Rosenfeld, Rosenthal, Roth, Rothenberg, Rothschild, Rothstein, Rockefeller, Rubin, Rudman, Sachs, Safire, Salomon,Salzberg, Salzman, Saperstein, Schiff, Schindler, Schneerson, Schoenberg, Schorr, Schott, Schumer, Schuster, Schwartzenfeld, Seagal, Seinfeld, Seligman, Shapiro, Siegel, Silverman, Simon, Slovo, Solarz, Soros, Specter, Spock, Spielberg, Steinberg, Steinem, Strauss, Streisand, Strossen, Tarnoff, Teller, Totenberg, Trotsky, Ungren, Vogel, Volker, Wasserman, Waxman, Weinberg, Weinblatt, Weinstein, Wellstone, Weiss, Weisskopf, Weissman, Wertheimer, Westheimer, Wiesel, Wolf, Wolpe, Yachim, Youngman, Zimmer, Zinn, Zoellner, Zuckerman


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EXCERPT BELOW FROM 1952 TRACT ABOUT JEWS AND COMMUNISM

http://www.skrewdriver.net/behind.html

COMMUNISM IN HOLLYWOOD

No discussion of communism would be complete without giving some attention to the Hollywood scene. Within the past few years a number of investigations by the House Committee on Un-American Activities, and by California's "Tenney Committee," have unearthed a veritable hotbed of Communism in the movie colony. We have already made some mention of the convicted "Hollywood Ten" who received sentences for contempt of congress. There are literally hundreds of other high placed Jews with pro-communist records in the film colony, including millionaire actors, directors, producers, writers, and executives.

The question immediately arises as to why so many of these wealthy and privileged Jews embrace Communism. The answer is, of course, that communism is not an economic movement, but a racial movement. Communism cannot be understood, or dealt with, on any other basis.

An Easy Target

There is a question in the minds of many as to how and why the Communists took over Hollywood. To begin with, the Hollywood motion picture industry is the most important vehicle of propaganda in the English speaking world today. In the long run Hollywood exerts a greater influence over the English speaking peoples than all other propaganda mediums combined. It has therefore become a prime target for communist infiltration. And since the film industry is overwhelmingly Jewish, communist agents encountered a minimum of difficulty in setting up shop. To give the reader some idea as to the extent of the Jewish control over Hollywood, we have prepared the following survey of the motion picture industry

Jews Own the Film Industry

The Hollywood film industry is almost exclusively a Jewish enterprise. In the entire industry there are two, and only two, major Hollywood film producers operated by gentiles. All the rest are Jew-owned.

The two gentile firms are Twentieth-Century Fox, and RKO Pictures. Both companies, it should be noted, were originally formed by Jews, and were Jew owned and operated until recently. In 1948 Howard Hughes bought an eight million dollar bloc of RKO stock (assets of the firm are $113,638,000.00) and since then has been prominent in directing its affairs. The other gentile firm is 20th Century Fox, whose president is Spyros Skouras, a Greek.

The Big Three

The three largest motion picture firms in Hollywood are completely Jewish, and in a very real sense they dominate the industry. The "Big Three" are:

LOEWS, INC., the giant of the industry, with assets listed at $223,141,585.43. Its founder was Marcus Loew, a Jew, and its current president is Nicholas Schenck, a Russian-Jew from the Pale of Settlement. Loews, Inc. owns Metro-Goldwyn-Mayer (MGM), whose president was Louis B. Mayer for many years. Dore Schary, a Jew with four communist fronts to his credit, now heads MGM.

PARAMOUNT PICTURES, INC., with assets listed at $185,588,505.00, is the second largest film producer in Hollywood. Its president is the Jew, Barney Balaban. Paramount also owns the American Broadcasting Company (ABC).

WARNER BROTHERS PICTURES, INC., is the third largest picture company in Hollywood, with assets of $176,284,761.00. Its president is Harry Warner, a Polish Jew. There were originally four Warner brothers: Samuel, Harry, Albert, and Jack. In addition to their Hollywood holdings, the brothers at one time owned 530 theatres in the U.S., and 35 film exchanges throughout the world.

Positions number four and five go to 20th Century Fox and RKO Pictures, described above.

UNIVERSAL PICTURES, INC., with assets of $47,984,034.00 is the sixth largest film company in Hollywood. Its president is the Jew, Nate J. Blumberg.

COLUMBIA PICTURES, INC., with assets of $39,521,240.00, is number seven in Hollywood. Its president is the New York Jew, Harry Cohn.

This completes the roster of Hollywood picture producers with assets of twenty million dollars or more. Of the seven firms listed above, five are totally Jewish owned and operated, and the other two were formerly Jewish owned, and may still be in part. There are several smaller firms which we have not listed, and they too are overwhelmingly Jewish. (Note: Above names and figures apply to the year 1950)

"Kosher Valley"

Hollywood has become a Jew town. The Fairfax area, which is the heart of the Hollywood residential district, is slightly more than 60% Jewish, according to Jewish statistics (published in the California Jewish Voice). Virtually every shop and store in Hollywood is Jew-owned. The Jews operate the theatres, restaurants, drug stores, clothing stores?even the cigarette machines. A visit to the neighborhood theatres and eating places will indicate even to the skeptic that Hollywood is predominately inhabited by east-European Jews. In nearby Los Angeles, Hollywood is sometimes referred to as "Kosher Valley" ...

Because the Hollywood stars are the industry's stock-in-trade?its merchandise, so to speak?they are mostly gentile. A given picture may have a Jew producer, a Jew director, and Jew writer, but generally all the public sees is the prettied-up gentile actor. But even this generalization is breaking down to an surprising degree. An amazing number of actors (and almost all the bit players and extras) are either Jewish, or married to Jews. In Hollywood many a blond Christian girl has found her way to stardom by marrying (or going to bed with) a hook-nosed Khazar Jew. Here is a partial list of Hollywood stars who are, or have been, married to Jews:

Doris Day (Melcher), Lili Palmer (Peiser), Janet Leigh (Curtis-Schwartz), Claudette Colbert (Pressman), Anita Louise (Adler), Madge Evans (Kingsley), Jennifer Jones (Selznick), Joan Bennett (Wanger), Alan Ladd (Carol-Lederer), Merle Oberon (Korda), Joyce Matthews (Berle), Eleanor Parker (Friedlob), Norma Shearer (Thalberg), Ruth Roman (Hall-Schiff), Nancy Olson (Lerner), Eleanor Holms (Rose), Gig Young (Rosenstein), Miriam Hopkins (Litvak), Myrna Dell (Buchtel), Wendy Barrie (Meyer), Jean Howard (Feldman), Joan Blair (Coplin), Dick Powell (Blondell), Gary Merrill (Jolson), John Loder (Lamar), Gale Sondergaard (Biberman), Norma Talmadge (Schenck).

There are many, many others. Hollywood is in more ways than one the land of make-believe. The film industry can take a pock-marked, flat-chested little Jewess out of the ghettoes of Poland and make her into a glamour girl, envied and aped by millions. They straighten her nose, pull her teeth, bleach her hair, give her a new complexion with make-up putty, paint on new lips, pad her bust and hips, and adjust the microphones to give her a pleasing voice. A million dollar publicity campaign does the rest. Frequently that is the formula by which a Jew-star is born.

Here is a partial list of Hollywood's Jew-stars (*indicates communist front affiliation.):

Eddie Cantor*, Binnie Barnes (Gittel), Joan Blondell, Charlie Chaplin* (Thonstein), Tony Curtis (Schwartz), Bette Davis*, Marlene Dietrich, Melvyn Douglas* (Hesselberg), Deanna Durbin, John Garfield* (Garfinkle), Frankie Laine, Hedy Lamarr (Keisler), Paulette Goddard*, Douglas Fairbanks* (Ullman), Judy Garland (Gumm), Judy Holiday* (Tuvim), Paul Muni (Weisenfreund), Danny Kaye* (Kaminsky), Larry Parks*, Groucho Marx*, Martha Raye, Edward G. Robinson* (Goldenberg), Kennan Wynn* (Leopold), Ed Wynn, Farley Granger, Sylvia Sidney* (Koskow), Robert Merrill, The Ritz Brothers, The Andrews Sisters, Henry Morgan*, Bobby Breen, Benny Baker* (Zifkin), Jack Benny (Kubelsky), Mary Livingston (Marks), George Burns (Birnbaum), Gracie Allen, Theda Bari (Goodman), J Edward Bromberg* (Bromberger), Kitty Carlisle, Sue Carol (Lederer), Ricardo Cortez, Milton Berle, Sally Eilers, Mary Ellis, Al Jolson, Bert Lahr, Francis Lederer, Lew Lehr, Jerry Lewis, Peter Lorre, Alice McMahon, Pola Negri, Parkyakarkas (Harry Einstein), Luise Ranier, Gregory Ratoff, Victor Borge, Pinkey Lee, Adolph Menjou, Mischa Auer.

(In fairness, the last two names are violently anti-communist. Menjou is married to a Christian woman, Auer is converted to Christianity. Both have had difficulty in finding work because of their anti-communistic stand).

Other Jew stars include: Sammy Kaye, Stella Adler, Morrie Amsterdam, Albert Basserman, Polly Bergen, Elizabeth Bergner, Morris Carnovsky, Mary Ellis, Sydney Fox, Sam Jaffe, Sam Levine, Noel Madison, Carmel Meyer, Maurice Mosovitch, Florence Reed, Joseph Schildkraut, Sid Silvers, George Stone, Conrad Veidt, Lous Wolheim. There are, of course, hundreds of others.

Propaganda in the Movies

For many years Hollywood limited its activities to the more subtle types of propaganda, but in recent years this has changed. Hollywood has now committed itself to producing at least four "race" pictures annually. Most of these pictures are destined beforehand to lose money, and are made for purely propaganda purposes. Some are so inflammatory they cannot be shown in certain sections of the United States.

Typical examples of this type of picture are: "Intruder in the Dust," "Pinky," "Crossfire," "Gentleman's Agreement," "No Way Out," and "Home of the Brave." Invariably these pictures seek to inflame minority groups by portraying them as being abused and persecuted by white "bigots." Such propaganda is frankly designed to arouse race hatred among Negroes, Mexicans, Jews, and other so-called minority groups. These people are being systematically taught to think and act in terms of race?they are being taught a hate philosophy. But there is another aspect to this kind of propaganda. While minorities are being taught race consciousness the white majority is instilled with a sense of guilt for these "wrongs" committed against minority groups. We are taught that consciousness of race is "un-American" and a manifestation of bigotry. We are told that all races are the same, and that we should discard the concept of race.

In this respect, all Jewish propaganda squares exactly with the communist line. There is a popular misconception to the effect that communism strives to set one race against another. This is a half-truth, which means it is more dangerous than a lie. The one thing communists fear more than anything else is a rebirth of race consciousness among the great white majority of the Christian world The communists remember that the very instant the German people became race-conscious, they turned with deadly fury against Jewish-communism. They know the same thing could happen in this country. Therefore, all communist?and Jewish?propaganda is directed in an effort to destroy every vestige of race consciousness among the white people. That is what red propagandists seek to achieve with their propaganda movies and their "tolerance campaigns."

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11-21-3 -- "Today, seven Jewish Americans run the vast majority of US television networks, the printed press, the Hollywood movie industry, the book publishing industry, and the recording industry. Most of these industries are bundled into huge media conglomerates run by the following seven individuals:

Gerald Levin, CEO and Director of AOL Time Warner

Michael Eisner, Chairman and CEO of the Walt Disney Company

Edgar Bronfman, Sr., Chairman of Seagram Company Ltd

Edgar Bronfman, Jr, President and CEO of Seagram Company Ltd and head of Universal Studios

Sumner Redstone, Chairman and CEO of Viacom, Inc

Dennis Dammerman, Vice Chairman of General Electric

Peter Chernin, President and Co-COO of News Corporation Limited

Those seven Jewish men collectively control ABC, NBC, CBS, the Turner Broadcasting System, CNN, MTV, Universal Studios, MCA Records, Geffen Records, DGC Records, GRP Records, Rising Tide Records, Curb/Universal Records, and Interscope Records.

Most of the larger independent newspapers are owned by Jewish interests as well. An example is media mogul is Samuel I. "Si" Newhouse, who owns two dozen daily newspapers from Staten Island to Oregon, plus the Sunday supplement Parade; the Conde Nast collection of magazines, including Vogue, The New Yorker, Vanity Fair, Allure, GQ, and Self; the publishing firms of Random House, Knopf, Crown, and Ballantine, among other imprints; and cable franchises with over one million subscribers."

I could add that Michael Eisner could depart Disney tomorrow but the company will remain in the hands of Shamrock Holdings, whose principal office is now located in 'Israel' ".

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WHO RULES AMERICA?

There is no greater power in the world today than that wielded by the manipulators of public
opinion in America. No king or pope of old, no conquering general or high priest ever disposed
of a power even remotely approaching that of the few dozen men who control America's mass news
and entertainment media.

Their power is not distant and impersonal; it reaches into every home in America, and it works
its will during nearly every waking hour. It is the power which shapes and molds the mind of
virtually every citizen, young or old, rich or poor, simple or sophisticated.

The mass media form for us our image of the world and then tell us what to think about that
image. Essentially everything we know -- or think we know -- about events outside our own
neighborhood or circle of acquaintances comes to us via our daily newspaper, our weekly news
magazine, our radio, or our television.

It is not just the heavy-handed suppression of certain news stories from our newspapers or the
blatant propagandizing of history-distorting TV "docudramas" which characterizes the opinion-
manipulating techniques of the media masters. They exercise both subtlety and thoroughness in
their management of both the news and the entertainment which they present to us.

For example, the way in which the news is covered: which items are emphasized and which are
played down, the reporter's choice of words, tone of voice, and facial expressions; the wording
of headlines; the choice of illustrations -- all of these things subliminally and yet
profoundly affect the way in which we interpret what we see or hear.

On top of this, of course, the columnists and editors remove any remaining doubt from our minds
as to just what we are to think about it all. Employing carefully developed psychological
techniques, they guide our thought and opinion so that we can be in tune with the "in" crowd,
the "beautiful people," the "smart money." They let us know exactly what our attitudes should
be toward various types of people and behavior by placing those people or that behavior in the
context of a TV drama or situation comedy and having the other TV characters react to them in
the Politically Correct way.

Molding American Minds

For example, a racially mixed couple will be respected, liked, and socially sought after by
other characters, as will a "take charge" Black scholar or businessman, or a sensitive and
talented homosexual, or a poor but honest and hardworking illegal alien from Mexico. On the
other hand, a White racist -- that is, any racially conscious White person who looks askance at
miscegenation or at the rapidly darkening racial situation in America -- is portrayed, at best,
as a despicable bigot who is reviled by the other characters, or, at worst, as a dangerous
psychopath who is fascinated by firearms and is a menace to all law-abiding citizens. The White
racist "gun nut," in fact, has become a familiar stereotype on TV shows.

The average American, of whose daily life TV-watching takes such an unhealthy portion,
distinguishes between these fictional situations and reality only with difficulty, if at all.
He responds to the televised actions, statements, and attitudes of TV actors much as he does to
his own peers in real life. For all too many Americans the real world has been replaced by the
false reality of the TV environment, and it is to this false reality that his urge to conform
responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the
TV characters for whom he is writing, and disapproval of others, he exerts a powerful pressure
on millions of viewers toward conformity with his own views.

And as it is with TV entertainment, so it is also with the news, whether televised or printed.
The insidious thing about this form of thought control is that even when we realize that
entertainment or news is biased, the media masters still are able to manipulate most of us.
This is because they not only slant what they present, but they establish tacit boundaries and
ground rules for the permissible spectrum of opinion.

As an example, consider the media treatment of Middle East news. Some editors or commentators
are slavishly pro-Israel in their every utterance, while others seem nearly neutral. No one,
however, dares suggest that the U.S. government is backing the wrong side in the Arab-Jewish
conflict and that it served Jewish interests rather than American interests to send U.S. forces
to cripple Iraq, Israel's principal rival in the Middle East. Thus, a spectrum of permissible
opinion, from pro-Israel to nearly neutral, is established.

Another example is the media treatment of South Africa. Some commentators seem almost
dispassionate in reporting the news of racial strife from that country, while in the voices of
other commentators there is open hatred of the White South Africans and unrestrained admiration
for the Blacks. All of the media spokesmen without exception, however, take the Black side;
they differ only in the degree of their partisanship.

Because there are differences in degree, however, most Americans fail to realize that they are
being manipulated. Even the citizen who complains about "managed news" falls into the trap of
thinking that because he is presented with an apparent spectrum of opinion he can escape the
thought controllers' influence by believing the editor or commentator of his choice. It's a
"heads I win, tails you lose" situation. Every point on the permissible spectrum of public
opinion is acceptable to the media masters -- and no impermissible fact or viewpoint is allowed
any exposure at all, if they can prevent it.

The control of the opinion-molding media is monolithic. All of the controlled media --
television, radio, newspapers, magazines, books, motion pictures -- speak with a single voice,
each reinforcing the other. Despite the appearance of variety, there is no real dissent, no
alternative source of facts or ideas accessible to the great mass of people which might allow
them to form opinions at odds with those of the media masters. They are presented with a single
view of the world -- a world in which every voice proclaims the equality of the races, the
inerrant nature of the Jewish "Holocaust" tale, the wickedness of attempting to halt a flood of
non-White aliens from pouring across our borders, the danger of permitting citizens to keep and
bear arms, the moral equivalence of all sexual orientations, and the desirability of a
"pluralistic," cosmopolitan society rather than a homogeneous one. It is a view of the world
designed by the media masters to suit their own ends -- and the pressure to conform to that
view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape
their lives to fit it.

Television Broadcasting

And who are these all-powerful masters of the media?

For a partial answer, consider television broadcasting, which undoubtedly has become the most
powerful medium for determining the way Americans think and behave.

Not counting certain specialized cable news systems, virtually all national and international
TV news broadcast in the United States is gathered, filmed, edited, and put on the air by just
three companies: American Broadcasting Companies (ABC), Columbia Broadcasting System (CBS), and
National Broadcasting Company (NBC). Most televised entertainment programs viewed by Americans
are broadcast by the same three networks. Each of these three has been under the absolute
control of a single man over a long enough period of time -- ranging from 32 years to 55 years
-- for him to staff the corporation at every level with officers of his choosing and thus to
place his imprint finally, totally, and indelibly upon it.

In each case that man has been a Jew.

Until 1985, when ABC merged with Capital Cities Communications, Inc., a New York-based media
conglomerate, the chairman of the board of directors and chief executive officer (CEO) of the
network was Leonard Harry Goldenson, a Jew. He had headed the network since he became president
of the predecessor corporation, American Broadcasting-Paramount Theaters, Inc., in 1953. (The
name was changed to American Broadcasting Companies, Inc., in 1965.) In an interview published
in the April 1, 1985, issue of Newsweek, Goldenson boasted, "I built this company [ABC] from
scratch."

Under the 1985 merger terms, Goldenson became chairman of the executive committee of the new
company, Capital Cities/ABC, Inc.

Although the chairman and CEO of Capital Cities now is Thomas Murphy, a Gentile, he has made no
move to replace the men at ABC who served Goldenson, and the network retains its Jewish
character today.

CBS was under the domination of William S. Paley for more than half a century. The son of
immigrant Jews from Russia, Paley left the family cigar business in 1928, when he was 27, to
buy United Independent Broadcasters for $500,000. He renamed it Columbia Broadcasting System
and made himself president. He became chairman of the board in 1946 and held that post until
his partial retirement in 1983.

When independent broadcaster Ted Turner, a Gentile, made a bid to buy CBS in 1985, there was
panic in media boardrooms across the nation. Turner had made a fortune in advertising and then
had built a successful cable-TV news network, CNN. Although Turner employed a number of Jews in
key executive positions in CNN and had never taken public positions contrary to Jewish
interests, he is a man with a large ego and a strong personality and was regarded by Paley and
the other Jews at CBS as uncontrollable: a loose cannon who might at some time in the future
turn against them. Furthermore, Jewish newsman Daniel Schorr, who had worked for Turner,
publicly charged that his former boss held a personal dislike for Jews.

To block Turner's bid CBS executives invited billionaire Jewish theater, hotel, insurance, and
cigarette magnate Laurence Tisch to launch a "friendly" takeover of the company, and since 1986
Tisch has been the chairman and CEO of CBS, removing any threat of non-Jewish influence there.

NBC was formerly a subsidiary of Radio Corporation of America (RCA), which was controlled for
40 years, beginning in 1930, by David Sarnoff, another Jewish immigrant from Russia. When
Sarnoff died in 1970 his son Robert took over. In 1986 General Electric Co. merged with RCA,
and now NBC is a wholly owned subsidiary of General Electric.

There has been no move by top G-E management to change the Jewish "profile" of NBC or to
replace key Jewish personnel. To the contrary, new Jewish executives have been added: examples
are Steve Friedman, hired in May 1990 as executive producer of NBC Nightly News and succeeded
in January 1993 by Jeff Zuker.

Entertainment Industry

The extraordinary concentration of Jews in the TV industry certainly explains much of the bias
of television news. As important as the control of television news programming is, however,
television entertainment is even more decisive in determining the way Americans think. Tens of
millions of Americans, especially younger ones, never watch network TV news broadcasts, but
instead keep their sets tuned to the entertainment programs. And it is in the entertainment
field that Jews have maintained the firmest control.

The man in charge of the television entertainment division at CBS is Jeff Sagansky. At ABC the
entertainment division is run by two men: Ted Harbert handles the business end of the division,
and Stuart Bloomberg is in charge of entertainment programming. Brandon Tartikoff became
president of NBC Entertainment in 1980 and held that post for a decade, until he was promoted
to chairman in 1990. When he left NBC in July 1991 to take the post of chairman at Paramount
Pictures the new president of NBC Entertainment, Warren Littlefield, assumed control.

Sagansky, Bloomberg, and Littlefield pick the programs their networks will broadcast: the game
shows, the interview shows, the situation comedies, the historical "docudramas," the family
series, the adventure series, the specials. They tell the program developers what they want to
see in the programs. They veto anything they don't like. They determine the slant each program
will have. They decide just how hard to push various propaganda themes in their network
programming: interracial marriage, homosexuality, feminism, gun control, "Holocaust" re-
enactments, the menace of "White extremism."

Only one in 36 U.S. citizens (2.8 per cent) is a Jew. But nearly all of the men who shape young
Americans' concept of reality, of good and evil, of permissible and impermissible behavior are
Jews. In particular, Sagansky and Bloomberg are Jews. So is Tartikoff. Littlefield is the only
Gentile who has had a significant role in TV entertainment programming in recent years. This
Jewish control of the American entertainment industry and its influence on the American psyche
goes far beyond television programming for the major networks; it also includes virtually
everything which comes out of Hollywood's film studios. The May 1990 issue of American Film
magazine listed the top 10 (in terms of gross revenues in 1989) U.S. entertainment companies
and their CEOs and ranked them by size. They were, in descending order, Time Warner
Communications (Steven J. Ross), Walt Disney Co. (Michael D. Eisner), NBC (Robert C. Wright),
Paramount Communications (Martin S. Davis), CBS (Laurence A. Tisch), 20th Century Fox Film
Corp. (Barry Diller), Columbia Pictures Entertainment (Victor A. Kaufman), Viacom Inc. (Sumner
Redstone), Capital Cities/ABC (Thomas S. Murphy), and MCA Inc. (Lew Wasserman). Of the 10 top
entertainment CEOs listed above, eight -- Ross, Eisner, Davis, Tisch, Diller, Kaufman,
Redstone, and Wasserman -- are Jews. Only two of the top-10 entertainment companies have
Gentile CEOs -- NBC and Capital Cities/ABC -- and one of those -- Capital Cities/ABC -- has a
Jew in charge of its entertainment division.

There have been a few personnel changes since the 1989 survey, of course. When Japan's Sony
Corporation of America bought Columbia Pictures in October 1989, Victor Kaufman was replaced by
Peter Guber, also a Jew. Guber's overseer is Sony's vice-chairman Michael P. Schulhof, who
arranged the takeover; he is a Jew too. In 1991 MCA was bought by Matsushita, one of Sony's
Japanese rivals, but Wasserman remains in his old post. As a general rule, the Japanese are
motivated solely by economic interests in their buying of American media, and they leave the
propaganda to the Jews. More often than not, in fact, Jews are the brokers of such Japanese
media buyouts. Just as Schulhof handled the Sony takeover of Columbia, the Matsushita-MCA deal
was arranged by Jewish media magnate Michael Ovitz and Texas-Jewish wheeler-dealer Robert
Strauss, later appointed as George Bush's ambassador to Moscow. Steven J. Ross died in December
1992, and now the top post at Time Warner is held by CEO (and chairman) Gerald Levin, also a
Jew.

Barry Diller left Fox in February 1992. Rupert Murdoch, owner of News Corporation, Fox's parent
company, took a hand in the management of Fox for a few months, but in November 1992 Peter
Chernin, formerly head of the Fox Entertainment division, moved up to the top job as chairman
of 20th Century Fox Films Corp. Chernin is a Jew. Under him, as president of Fox Entertainment
Group since November 1992, is Sandy Grushow, also a Jew.

And Sumner Redstone (born Murray Rothstein) has gained much prominence since 1989, as two of
his Viacom subsidiaries, MTV and Nickelodeon, have acquired larger and larger shares of the
juvenile television audience. Redstone, who actually owns 76 per cent of the shares of Viacom
($3 billion), is the largest single purveyor of race-mixing propaganda to White teenagers and
sub-teens in America and Europe. MTV pumps its racially mixed rock and rap videos into 210
million homes in 71 countries and is the dominant cultural influence on White teenagers around
the world. Nickelodeon has by far the largest share of the four-to-11-year-old TV audience in
America and also is expanding rapidly into Europe; most of its shows do not yet display the
blatant degeneracy which is MTV's trademark, but Redstone is gradually nudging the fare
presented to his kiddie viewers toward the same poison purveyed by MTV.

It is difficult to believe that such an overwhelming degree of control of the entertainment
industry by Jews came about without a deliberate, concerted effort on their part.

Radio Broadcasting

The "big three" TV networks -- ABC, CBS, and NBC -- not only have a virtual monopoly on
commercial network television broadcasting in the United States; they account for most of
commercial network radio broadcasting as well -- or they did until recently. For many years
their only significant competitor in the latter arena, Mutual Broadcasting System (MBS), with
941 affiliated radio stations (but no TV stations) across the country, was headed by Martin
Rubenstein, a Jew. In 1985 Norman J. Pattiz, also a Jew, took over MBS as chairman and CEO. Two
years later Pattiz, through his holding company, Westwood One, Inc., bought the NBC Radio
Network from General Electric. The MBS and NBC stations together make Pattiz the number-two
radio broadcaster in the nation, behind only Capital Cities/ABC. The current MBS vice-president
in charge of news broadcasting, Ron Nessen, who formerly held the position of White House press
secretary under Gerald Ford, is also a Jew.

Newspapers

After television, daily newspapers are the most influential mass medium in America. Sixty-three
million of them are sold (and presumably read) each day. These millions are divided among some
1,640 different publications. One might conclude that the sheer number of different newspapers
across America would provide a safeguard against minority control and distortion. Alas, such is
not the case. There is less independence, less competition, and much less representation of
majority interests than a casual observer would think.

Only 412 (25 per cent) of the 1,640 publications are independently owned; the rest belong to
multi-newspaper chains. Only 121 of the total number have circulations of more than 100,000.
Only a handful are large enough to maintain independent reporting staffs outside their own
communities; the rest must depend on these few for all of their national and international
news.

In only 54 cities in America are there more than one daily newspaper, and competition is
frequently nominal even among them, as between morning and afternoon editions under the same
ownership. Examples of this are the Huntsville, Alabama, morning News and afternoon Times; the
Birmingham, Alabama, morning Post Herald and afternoon News; the Mobile, Alabama, morning
Register and afternoon Press; the Springfield, Massachusetts, morning Union, afternoon News,
and Sunday-only Republican; the Syracuse, New York, morning Post-Standard and afternoon Herald-
Journal -- all owned by the Jewish Newhouse brothers through their holding company, Advance
Publications.

The Newhouse media empire provides an example of more than the lack of real competition among
America's daily newspapers; it also illustrates the insatiable appetite Jews have shown for all
the organs of opinion control on which they could fasten their grip. The Newhouses own 31 daily
newspapers, including several large and important ones, such as the Cleveland Plain Dealer, the
Newark Star-Ledger, and the New Orleans Times-Picayune; the nation's largest trade book
publishing conglomerate, Random House, with all its subsidiaries; Newhouse Broadcasting,
consisting of 12 television broadcasting stations and 87 cable-TV systems, including some of
the country's largest cable networks; the Sunday supplement Parade, with a circulation of more
than 22 million copies per week; some two dozen major magazines, including the New Yorker,
Vogue, Mademoiselle, Glamour, Vanity Fair, Bride's, Gentlemen's Quarterly, Self, House &
Garden, and all the other magazines of the wholly owned Conde Nast group.

This Jewish media empire was founded by the late Samuel Newhouse, an immigrant from Russia.
When he died in 1979 at the age of 84, he bequeathed media holdings worth an estimated $1.3
billion to his two sons, Samuel and Donald. With a number of further acquisitions, the net
worth of Advance Publications has grown to more than $8 billion today.

The gobbling up of so many newspapers by the Newhouse family was in large degree made possible
by the fact that newspapers are not supported by their subscribers, but by their advertisers.
It is advertising revenue -- not the small change collected from a newspaper's readers -- that
largely pays the editor's salary and yields the owner's profit.

Whenever the large advertisers in a city choose to favor one newspaper over another with their
business, the favored newspaper will flourish while its competitor dies. Since the beginning of
this century, when Jewish mercantile power in America became a dominant economic force, there
has been a steady rise in the number of American newspapers in Jewish hands, accompanied by a
steady decline in the number of competing Gentile newspapers -- primarily as a result of
selective advertising policies by Jewish merchants.

Furthermore, even those newspapers still under Gentile ownership and management are so
thoroughly dependent upon Jewish advertising revenue that their editorial and news reporting
policies are largely constrained by Jewish likes and dislikes. It holds true in the newspaper
business as elsewhere that he who pays the piper calls the tune.

Three Jewish Newspapers

The suppression of competition and the establishment of local monopolies on the dissemination
of news and opinion have characterized the rise of Jewish control over America's newspapers.
The resulting ability of the Jews to use the press as an unopposed instrument of Jewish policy
could hardly be better illustrated than by the examples of the nation's three most prestigious
and influential newspapers: the New York Times, the Wall Street Journal, and the Washington
Post. These three, dominating America's financial and political capitals, are the newspapers
which set the trends and the guidelines for nearly all the others. They are the ones which
decide what is news and what isn't, at the national and international levels. They originate
the news; the others merely copy it. And all three newspapers are in Jewish hands.

The New York Times is the unofficial social, fashion, entertainment, political, and cultural
guide of the nation. It tells America's "smart set" which books to buy and which films to see;
which opinions are in style at the moment; which politicians, educators, spiritual leaders,
artists, and businessmen are the real comers. And for a few decades in the last century it was
a genuinely American newspaper.

The New York Times was founded in 1851 by two Gentiles, Henry J. Raymond and George Jones.
After their deaths, it was purchased in 1896 from Jones's estate by a wealthy Jewish publisher,
Adolph Ochs. His great-grandson, Arthur Ochs Sulzberger, Jr., is the paper's current publisher
and CEO. The executive editor is Max Frankel, and the managing editor is Joseph Lelyveld. Both
are Jews.

The Sulzberger family also owns, through the New York Times Co., 33 other newspapers, including
the Boston Globe, purchased in June 1993 for $1.1 billion; twelve magazines, including McCall's
and Family Circle with circulations of more than 5 million each; seven radio and TV
broadcasting stations; a cable-TV system; and three book publishing companies.The New York
Times News Service transmits news stories, features, and photographs from the New York Times by
wire to 506 other newspapers, news agencies, and magazines. Of similar national importance is
the Washington Post, which, by establishing its "leaks" throughout government agencies in
Washington, has an inside track on news involving the Federal government.

The Washington Post, like the New York Times, had a non-Jewish origin. It was established in
1877 by Stilson Hutchins, purchased from him in 1905 by John R. McLean, and later inherited by
Edward B. McLean. In June 1933, however, at the height of the Great Depression, the newspaper
was forced into bankruptcy. It was purchased at a bankruptcy auction by Eugene Meyer, a Jewish
financier and former partner of the infamous Bernard Baruch, industry czar in America during
the First World War.

The Washington Post is now run by Katherine Meyer Graham, Eugene Meyer's daughter. She is the
principal stockholder and the board chairman of the Washington Post Co. In 1979 she appointed
her son Donald publisher of the paper. He now also holds the posts of president and CEO of the
Washington Post Co.

The Washington Post Co. has a number of other media holdings in newspapers, television, and
magazines, most notably the nation's number-two weekly newsmagazine, Newsweek. The Wall Street
Journal, which sells 2.1 million copies each weekday, is the nation's largest-circulation daily
newspaper. It is owned by Dow Jones & Co., Inc., a New York corporation which also publishes 24
other daily newspapers and the weekly financial tabloid Barron's, among other things. The
chairman and CEO of Dow Jones is Peter R. Kann, who is a Jew. Kann also holds the posts of
chairman and publisher of the Wall Street Journal.

New York's other major newspapers are in no better hands than the New York Times and the Wall
Street Journal. In January 1993 the New York Daily News was bought from the estate of the late
Jewish media mogul Robert Maxwell (born Ludvik Hoch) by Jewish real-estate developer Mortimer
B. Zuckerman. The Village Voice is the personal property of Leonard Stern, the billionaire
Jewish owner of the Hartz Mountain pet supply firm. The New York Post, suffering from severe
financial problems, has been bouncing back and forth for a year among a succession of
especially sleazy Jewish billionaires -- Peter Kalikow, Steven Hoffenberg, Abraham Hirshfeld --
and Australian newspaper mogul Rupert Murdoch.

Other Mass Media

The story is pretty much the same for other media as it is for television, radio, and
newspapers. Consider, for example, newsmagazines. There are only three of any note published in
the United States: Time, Newsweek, and U.S. News & World Report.

Time, with a weekly circulation of 4.1 million, is published by a subsidiary of Time Warner
Communications, the new media conglomerate formed by the 1989 merger of Time Inc. with Warner
Communications. The CEO of Time Warner Communications, as mentioned above, is Gerald Levin, a
Jew.

Newsweek, as mentioned above, is published by the Washington Post Co., under the Jewess
Katherine Meyer Graham. Its weekly circulation is 3.2 million.

U.S. News & World Report, with a weekly circulation of 2.3 million, is owned and published by
the aforementioned Mortimer B. Zuckerman, who also has taken the position of editor-in-chief of
the magazine for himself. Zuckerman also owns the Atlantic Monthly and New York's tabloid
newspaper, the Daily News.

Or consider books. There are literally thousands of publishers in the United States, and among
these thousands are many with little or no direct Jewish control; there are some which actually
dare to publish books not approved by the Jewish Establishment. But all of the latter
publishers are very small, and their books seldom reach the great mass of Americans who buy
their reading material from drugstore news racks or from the chain bookstores.

Among the giant publishing conglomerates, however, the situation is quite kosher. Three of the
six largest book publishers in the United States, according to Publishers Weekly, are owned or
controlled by Jews. The three are first-place Random House (with its many subsidiaries,
including Crown Publishing Group), third-place Simon & Schuster, and sixth-place Time Warner
Trade Group (including Warner Books and Little, Brown).

As pointed out above, the Newhouse family owns Random House, and Gerald Levin is CEO of Time
Warner Communications, of which Time Warner Trade Group is a division. Simon & Schuster is a
subsidiary of Paramount Communications, Inc. (formerly Gulf and Western, Inc.), of whom the
chairman and CEO is Martin S. Davis, as already noted.

Another publisher of special significance is Western Publishing. Although it ranks only 13th in
size among all U.S. publishers, it ranks first among publishers of children's books, with more
than 50 per cent of the market. Its chairman and CEO is Richard Bernstein, a Jew.

Those are the facts of media control in America. Anyone willing to spend a few hours in a large
library looking into current editions of yearbooks on the radio and television industries and
into directories of newspapers and magazines; into registers of corporations and their
officers, such as those published by Standard and Poors and by Dun and Bradstreet; and into
standard biographical reference works can verify their accuracy. They are undeniable, and when
confronted with them Jewish spokesmen customarily will use evasive tactics. "Ted Turner isn't a
Jew!" they will announce triumphantly, as if that settled the issue. If pressed further they
will accuse the confronter of "anti-Semitism" for even raising the subject. It is fear of this
accusation which keeps many persons silent who know the facts.

But we must not remain silent on this most important of issues! The Jewish control of the
American mass media is the single most important fact of life, not just in America, but in the
whole world today. There is nothing -- plague, famine, economic collapse, even nuclear war --
more dangerous to the future of our people.

By permitting the Jews to control our news and entertainment media we are doing more than
merely giving them a decisive influence on our political system and virtual control of our
government; we also are giving them control of the minds and souls of our children, whose
attitudes and ideas are shaped more by Jewish television and Jewish films than by parents,
schools, or any other influence.

The Jew-controlled entertainment media have taken the lead in persuading a whole generation
that homosexuality is a normal and acceptable way of life; that there is nothing at all wrong
with White women dating or marrying Black men, or with White men marrying Asiatic women; that
all races are inherently equal in ability and character -- except that the character of the
White race is suspect because of a history of oppressing other races; and that any effort by
Whites at racial self-preservation is reprehensible.

Our Responsibility

We must oppose the further spreading of this poison among our people, and we must break the
power of those who are spreading it. It would be intolerable for such power to be in the hands
of any alien minority, with values and interests different from our own. But to permit the
Jews, with their 3,000-year history of nation-wrecking, from ancient Egypt to Russia, to hold
such power over us is tantamount to race suicide. Indeed, the fact that so many White Americans
today are so filled with a sense of racial guilt and self-hatred that they actively seek the
death of their own race is a deliberate consequence of Jewish media control.

Once we have absorbed and understood the fact of Jewish media control, it is our inescapable
responsibility to do whatever is necessary to break that control. We must shrink from nothing
in combatting this evil power which has fastened its deadly grip on our people and is injecting
its lethal poison into their minds and souls. If we fail to destroy it, it certainly will
destroy our race. Let us begin now to acquire knowledge and take action toward this necessary
end.

(Let me take these last few moments to urge you to get the book that is sweeping like wildfire
across America, and awakening the American people to their peril. By educating Americans, by
getting the truth - the whole truth, not just a watered-down partial truth - into their hands
and hearts and minds, we can take back America and make her great, strong, and beautiful once
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